



| SKU | Format | Title | ISBB |
| 7001 | hard copy | Secrets of the Foreign Office | 978-1-906140-00-7 |
| 7002 | hard copy | Sant of the Secret Service | 978-1-906140-01-4 |
| 7003 | hard copy | Revelations of the Secret Service | 978-1-906140-02-1 |
| 7005 | e-copy | Secrets of the Foreign Office | 978-1-906140-04-5 |
| 7006 | e-copy | Revelations of the Secret Service | 978-1-906140-05-2 |
| 7007 | e-copy | Sant of the Secret Service | 978-1-906140-06-9 |
| 7008 | e-copy | German spies in England | 978-1-906140-07-6 |
| 7009 | e-copy | Number 70 Berlin | 978-1-906140-08-3 |
| 7010 | e-copy | Luck of the Secret Service | 978-1-906140-09-0 |
| 7011 | e-copy | Rasputinism in London | 978-1-906140-10-6 |
| 7012 | e-copy | Rasputin the rascal monk | 978-1-906140-11-3 |
| 7013 | e-copy | The Death Doctor | 978-1-906140-12-0 |
| 7014 | e-copy | The Mystery of the Green Ray | 978-1-906140-13-7 |
| 7015 | e-copy | The Luck of the Secret Service | 978-1-906140-14-4 |
| 7016 | e-copy | The Terror of the Air | 978-1-906140-15-1 |
| 7017 | e-copy | The Zeppelin Destroyer | 978-1-906140-16-8 |
| 7018 | e-copy | Invasion 1910 | 978-1-906140-17-5 |
| 7019 | e-copy | Rasputin The Minister of Evil | 978-1-906140-18-2 |
| 7020 | e-copy | The Idol of the Town | 978-1-906140-19-9 |
| 7021 | e-copy | Three Knots | 978-1-906140-20-5 |
| 7022 | e-copy | The Money-Spider | 978-1-906140-21-2 |
| 7023 | e-copy | The Crystal Claw | 978-1-906140-22-9 |
| 7024 | e-copy | The Devil's Carnival | 978-1-906140-23-6 |
| 7025 | e-copy | Zoraida | 978-1-906140-24-3 |
| 7026 | e-copy | The Crooked Way | 978-1-906140-25-0 |
| 7027 | e-copy | No 7 Saville Square | 978-1-906140-26-7 |
| 7028 | e-copy | The Price Of Power | 978-1-906140-27-4 |
| seq/n | Title | Original Publisher | Year First Published |
| 1 | Guilty Bonds | Routledge | 1891 |
| 2 | The Temptress | Tower | 1895 |
| 3 | Zoraida: A Romance of the Harem | Tower | 1895 |
| 4 | Devil's Dice. | White | 1896 |
| 5 | Who so Findeth a Wife | Ditto | 1897 |
| 6 | A Madonna of the Music Halls | Ditto | 1897 |
| 7 | The Eye of Ishtar | Ditto | 1897 |
| 8 | If Sinners Entice Thee | Ditto | 1898 |
| 9 | The Great White Queen | White | 1898 |
| 10 | Scribes and Pharisees | Ditto | 1898 |
| 11 | The Veiled Man | Ditto | 1899 |
| 12 | The Bond of Black | Ditto | 1899 |
| 13 | Wiles of the Wicked | Bell | 1899 |
| 14 | The Day of Temptation | White | 1899 |
| 15 | England's Peril | Ditto | 1899 |
| 16 | An Eye for an Eye | Ditto | 1900 |
| 17 | In White Raiment | Ditto | 1900 |
| 18 | Of Royal Blood | Hutchinson | 1900 |
| 19 | The Gamblers | Ditto | 1901 |
| 20 | The Sign of the Seven Sins | Lippincott | 1901 |
| 21 | Her Majesty's Minister | Hodder | 1901 |
| 22 | The Court of Honour | White | 1901 |
| 23 | The Under-Secretary | Hutchinson | 1902 |
| 24 | The Unnamed | H&S | 1902 |
| 25 | The Tickencote Treasure | Newnes | 1903 |
| 26 | The Three Glass Eyes | Treherne | 1903 |
| 27 | The Seven Secrets | Hutchinson | 1903 |
| 28 | The Idol of the Town | White | 1903 |
| 29 | As We Forgave Them | Ditto | 1904 |
| 30 | The Closed Book | Methuen | 1904 |
| 31 | The Hunchback of Westminster | Ditto | 1904 |
| 32 | The Man from Downing Street | Hurst | 1904 |
| 33 | The Red Hat | Daily Mail | 1904 |
| 34 | The Sign of the Stranger | White | 1904 |
| 35 | The Valley of the Shadow | Methuen | 1905 |
| 36 | Who Giveth This Woman? | Stoughton | 1905 |
| 37 | The Spider's Eye | Cassell | 1905 |
| 38 | Sins of the City | White | 1905 |
| 39 | The Mask | Long | 1905 |
| 40 | Behind the Throne | Methuen | 1905 |
| 41 | The Czar's Spy | H&S | 1905 |
| 42 | The Great Court Scandal | White | 1906 |
| 43 | The House of the Wicked | Blackett | 1906 |
| 44 | The Mysterious Mr. Miller | H&S | 1906 |
| 45 | The Mystery of a Motor-Car. | Ditto | 1906 |
| 46 | Whatsoever a Man Soweth | White | 1906 |
| 47 | The Woman at Kensington | Cassell | 1906 |
| 48 | The Secret of the Square | White | 1907 |
| 49 | The Great Plot | Hodder | 1907 |
| 50 | Whosoever Loveth | Hutchinson | 1907 |
| 51 | The Crooked Way | Methuen | 1908 |
| 52 | The Looker On | White | 1908 |
| 53 | The Pauper of Park Lane | Cassell | 1908 |
| 54 | Stolen Sweets | Nash | 1908 |
| 55 | The Woman in the Way | Nash | 1908 |
| 56 | The Red Room | Cassell | 1909 |
| 57 | The House of Whispers | Nash | 1909 |
| 58 | Fatal Thirteen | Paul | 1909 |
| 59 | Treasure of Israel | Nash | 1910 |
| 60 | Lying Lips | Stanley | 1910 |
| 61 | The Unknown Tomorrow | White | 1910 |
| 62 | Hushed Up | Nash | 1911 |
| 63 | The Money-Spider | Cassell | 1911 |
| 64 | The Death Doctor | Blackett | 1912 |
| 65 | Fatal Fingers | Cassell | 1912 |
| 66 | The Mystery of Nine | Nash | 1912 |
| 67 | Without Trace | Ditto | 1912 |
| 68 | The Price of Power | Hurst | 1913 |
| 69 | The Room of Secrets | Ward | 1913 |
| 70 | The Lost Million | Nash | 1913 |
| 71 | The White Lie | Lock | 1914 |
| 72 | Sons of Satan | White | 1914 |
| 73 | The Hand of Allah | Cassell | 1914 |
| 74 | Her Royal Highness | H&S | 1914 |
| 75 | The Maker of Secrets | Ward | 1914 |
| 76 | The Four Faces | Paul | 1914 |
| 77 | The Double Shadow | H&S | 1915 |
| 78 | At the Sign of the Sword | Jack | 1915 |
| 79 | The Mysterious Three | Ward | 1915 |
| 80 | The Mystery of the Green Ray | Hodder | 1915 |
| 81 | The Sign of Silence | Ward | 1915 |
| 82 | The White Glove | Nash | 1915 |
| 83 | The Zeppelin Destroyer | Hodder | 1916 |
| 84 | Number 70, Berlin | Hodder | 1916 |
| 85 | The Place of Dragons | Ward | 1916 |
| 86 | The Spy Hunter | Pearson | 1916 |
| 87 | The Man about Town | Long | 1916 |
| 88 | Annette of the Argonne | Blackett | 1916 |
| 89 | The Broken Thread | Lock | 1916 |
| 90 | Behind the German Lines | 1917 | |
| 91 | The Breath of Suspicion | Long | 1917 |
| 92 | The Devil's Carnival | Blackett | 1917 |
| 93 | No Greater Love | Lock | 1917 |
| 94 | Two in a Tangle | Hodder | 1917 |
| 95 | Rasputin, The Rascal Monk | Blackett | 1917 |
| 96 | The Yellow Ribbon | Hodder | 1918 |
| 97 | The Secret Life of the Ex-Tsaritza | Odhams | 1918 |
| 98 | The Sister Disciple | Blackett | 1918 |
| 99 | The Stolen Statesman | Skeffington | 1918 |
| 100 | The Little Blue Goddess | Ward | 1918 |
| 101 | The Minister of Evil | CFassell | 1918 |
| 102 | Bolo The Super-Spy | Odhams | 1918 |
| 103 | The Catspaw | Lloyds | 1918 |
| 104 | Cipher Six. | Hodder | 1919 |
| 105 | The Doctor of Pimlico | Cassell | 1919 |
| 106 | The Forbidden Word | Odhams | 1919 |
| 107 | The King's Incognito | Odhams | 1919 |
| 108 | The Lure of Love | Lock | 1919 |
| 109 | Rasputinism in London | Cassell | 1919 |
| 110 | The Secret Shame of the Kaiser | Blackett | 1919 |
| 111 | Secrets of the White Tsar | Odhams | 1919 |
| 112 | The Heart of a Princess | Ward | 1920 |
| 113 | The Intriguers | H&S | 1920 |
| 114 | No 7 Saville Square | Ward | 1920 |
| 115 | The Red Widow | Cassell | 1920 |
| 116 | The Terror of the Air | Lloyd's | 1920 |
| 117 | Whither Thou Goest | Lloyd's | 1920 |
| 118 | This House to Let | H&S | 1921 |
| 119 | The Lady-in-Waiting | Ward | 1921 |
| 120 | The Open Verdict | H&S | 1921 |
| 121 | The Power of the Borgias | Odhams | 1921 |
| 122 | Mademoiselle of Monte Carlo | Cassell | 1921 |
| 123 | The Fifth Finger | Paul | 1921 |
| 124 | The Golden Face | Cassell | 1922 |
| 125 | The Stretton Street Affair | Cassell | 1922 |
| 126 | Three Knots | Ward | 1922 |
| 127 | The Voice from the Void | Cassell | 1922 |
| 128 | The Young Archduchess | Ward | 1922 |
| 129 | Where the Desert Ends | Cassell | 1923 |
| 130 | The Bronze Face | Lock | 1923 |
| 131 | The Crystal Claw | H&S | 1924 |
| 132 | Fine Feathers | Stanley | 1924 |
| 133 | A Woman's Debt | Lock | 1924 |
| 134 | The Broadcast Mystery | Holden | 1925 |
| 135 | The Marked Man | Lock | 1925 |
| 136 | The Valrose Mystery | Lock | 1925 |
| 137 | The Blue Bungalow | Hurst | 1925 |
| 138 | The Fatal Face | Hurst | 1926 |
| 139 | Hidden Hands | H&S | 1926 |
| 140 | The Black Owl | Lock | 1926 |
| 141 | Hushed Up ! | Nash | 1927 |
| 142 | The Letter E | Cassell | 1926 |
| 143 | The Mystery of Mademoiselle | H&S | 1926 |
| 144 | The Scarlet Sign | Lock | 1926 |
| 145 | Blackmailed | Grayson | 1927 |
| 146 | The Office Secret | Lock | 1927 |
| 147 | The House of Evil | Lock | 1927 |
| 148 | The Chameleon | H&S | 1927 |
| 149 | Double Nought | H&S | 1927 |
| 150 | The Lawless Hand | Hurst | 1927 |
| 151 | The Rat Trap | Ward | 1928 |
| 152 | Concerning This Woman | Newnes | 1928 |
| 153 | Twice Tried | Hurst | 1928 |
| 154 | The Secret Formula | Lock | 1928 |
| 155 | The Sting | H&S | 1928 |
| 156 | The Amazing Count | Lock | 1929 |
| 157 | The Golden Three | Lock | 1930 |
| 158 | The Crinkled Crown | Lock | 1929 |
| Title: other works | publisher | year | |
| 159 | Strange Tales of a Nihilist | Ward | 1892 |
| 160 | Stolen Souls | Ward | 1895 |
| 161 | Secrets of Monte Carlo | Tower | 1899 |
| 162 | Secrets of the Foreign Office | Hutchinson | 1903 |
| 163 | Confessions of a Ladies' Man | Hutchinson | 1905 |
| 164 | The Count's Chauffeur | Nash | 1907 |
| 165 | The Lady in the Car | Nash | 1908 |
| 166 | Spies of the Kaiser | Hurst | 1909 |
| 167 | Revelations of the Secret Service | White | 1911 |
| 168 | The Indiscretions of a Lady's Maid | Nash | 1911 |
| 169 | Mysteries | Ward | 1913 |
| 170 | The German Spy | Newnes | 1914 |
| 171 | Cinders of Harley Street | Ward | 1916 |
| 172 | The Bomb-Makers | Jarrolds | 1917 |
| 173 | Beryl of the Biplane | Pearson | 1917 |
| 174 | Hushed Up at German Headquarters | 1917 | |
| 175 | The Rainbow Mystery | H&S | 1917 |
| 176 | The Scandal-Monger | Ward | 1917 |
| 177 | The Secrets of Potsdam | Daily Mail | 1917 |
| 178 | More Secrets of Potsdam | Daily Mail | 1917 |
| 179 | Further Secrets of Potsdam | Daily Mail | 1917 |
| 180 | Donovan of Whitehall | Pearson | 1917 |
| 181 | Sant of the Secret Service | Odhams | 1918 |
| 182 | The Hotel X | Ward | 1919 |
| 183 | Mysteries of the Great City | H&S | 1919 |
| 184 | In Secret | Odhams | 1920 |
| 185 | The Secret Telephone | Jarrolds | 1921 |
| 186 | Society Intrigues I Have Known | Odhams | 1920 |
| 187 | The Luck of the Secret Service | Pearson | 1921 |
| 188 | The Elusive Four | Cassell | 1921 |
| 189 | Tracked by Wireless | Paul | 1922 |
| 190 | The Gay Triangle | Jarrolds | 1922 |
| 191 | Bleke, The Butler | Jarrolds | 1923 |
| 192 | The Crimes Club | Grayson | 1927 |
| 193 | The Peril of Helen Marklove | Jarrolds | 1928 |
| 194 | The Factotum and Other Stories | Ward | 1931 |
William Le Queux was a famous journalist, writer and celebrated novelist, a master of the spy genre, and a vociferous critic of Britain’s weak military defences before the First World War, known at the time and for the next twenty years as “The Great War”.
He is acknowledged as the principal precursor of that famous spy story author of the second half of the twentieth century, namely Ian Fleming.
His spy hero character Gerry Sant displays many of the personality traits of James Bond: ready for action, courage in adversity and ready to ‘mix it‘ with the villain of the piece. Sant’s behaviour towards women is more proper and genteel, as it would have been seen to be the respected ”proper” behaviour of the well bred English gentleman of the day.
William Le Queux had a major influence on contemporary British military policy in the first decade of the twentieth century and he raised its political importance in the domestic arena: he was one of the most explicit critics of British military, especially naval policy, which he regarded as dangerously weak in this part of the twentieth century. These criticisms run as a rich vein through his spy novels and reach a climax on the frightening reality of his classic military novels. Among his best-known works with a military theme are the anti-German invasion fantasies The Great War in England in 1897 (published in 1894) and The Invasion of 1910 (published in 1906). The latter was a stunning bestseller.
The political establishment tried to silence him …. in vain. His criticisms in the press and on radio anticipated the lone voice of Sir Winston Churchill who, just over twenty years later, was politically condemned for his damning exposure of Britain’s military weakness, then being known as the policy of “Appeasement” towards the growing forces of Fascism, especially Hitler and Nazi Germany.
William Le Queux was of Anglo-French parentage: he was born on 2nd July 1864 in London (United Kingdom) and he died on 13th October 1927 in Knokke (Belgium). His father was a French clothier and his mother was English.
William Le Queux is principally remembered as a journalist and writer. However he was also a diplomat and a traveller across Western and Eastern Europe and also across North Africa: his experiences and the knowledge gleaned from these adventures added a powerful sense of reality and considerable colour to the themes and narratives in his novels. His heroes were always on the move, visiting one exotic location or another. He was something of a flying enthusiast and a broadcasting innovator who transmitted music from his own little radio station at home long before radio became a popular medium.
William Le Queux was educated in Europe and studied in Paris. He undertook a wide ranging a tour of Europe as a young man before beginning his career by writing for French newspapers. In the late 1880’s, he returned to London to edit successively the magazines ‘Gossip’ and ‘Piccadilly’ before joining the staff of the newspaper ‘The Globe’ in the role of parliamentary reporter in 1891. In 1893, he gave up journalism to concentrate on writing novels, many of which reflect the racy urgency and speed of his journalistic style in his prose of his novels.
In the years leading up to World War I, his friendship with the powerful British publishing magnate Lord Northcliffe led to the serialised publication and intensive promotion of his “Invasion” writings such as ‘Invasion 1910’. This novel appeared initially in a serialised form in Northcliffe’s Daily Mail newspaper running from early March 1906. It was a huge success and the newspaper's circulation increased greatly. “Invasion 1910” has been translated since into over twenty languages and was one of the first novels to sell over one million copies. It made a small fortune for William Le Queux.
However, he was less than pleased about the German translated version which appeared in 1911: “Die Invasion von 1910”. This version had a different ending, concluding with a negotiated peace between the warring parties rather than the defeat portrayed in the original English edition, more acceptable to the sensibilities domestic of German readership at home.
Field Marshal Earl Roberts was an eminent and, by this time, retired soldier of the period and a forceful and trenchant critic of his successors’ military strategies. He makes an appearance in ‘Invasion 1910’ and is thought to have helped in the construction of the novel’s main themes and added a powerful sense of military reality to the events recorded in the English original book.
At the beginning of World War I Le Queux became convinced that Germans spies were out to assassinate him for exposing their nefarious plotting against Britain. He started to behave in a way which today we would almost describe as a ‘persecution complex’.
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